In-yeong is surprised to see Myeong-seok stick up for her with the producer, considering that up until this point In-yeong and Myeong-seok haven't really gotten along that well. And so In-yeong, as well as the other characters, make a seemingly logical deduction. Obviously Myeong-seok has fallen in love with In-yeong. Why is this the obvious explanation? Well, because it's the most storylike, and thus the best possible ratings hook. Naturally it does not occur to anyone to simply ask Myeong-seok his reasons, because that would completely ruin the fantasy world In-yeong and friends have concocted.
"The Eccentric Daughter-in-Law" is at its best when the drama just straight up mocks assumptions created by the illusion of television. Take, for example, In-yeong's coy attitude about appearing in public with a celebrity face. In-yeong fails to appreciate that in the first place she's not that famous. But more importantly, just because someone has seen In-yeong on TV, doesn't mean they can recognize her in person. People look different on television and off.
Even though In-yeong is the perspective character she's always the one who seems like the weird person. Whenever In-yeong tries to explain how "reality" works to Myeong-seok, he simply points out that her explanation makes no sense. Myeong-seok teaches math. He barely even cares about the reality show angle, but is legitimately totally annoyed when In-yeong starts acting like a television persona, especially in front of friends. By contrast, moments where In-yeong offers a helpful unexpected deduction are a highlight, as they hint that In-yeong is smarter than she realizes.
The main weakness of the drama is the other mother-in-law, Mi-hee. I don't like Mi-hee or find her to be particularly interesting. Most of the time I struggle trying to remember what exactly Mi-hee has to do with the rest of the story at all- this confusion is generally only relieved when a character from the cookery shows up in one of Mi-hee's scenes. By and large, the drama suffers from this subplot. It mainly just makes me want to see more of Choon-ja, because there's a mother-in-law that's a straight shooter.
Something I rather like about "The Eccentric Daughter-in-Law" is that it's a relatively light, low-pressure production. There are plenty of secrets floating around, but they're secrets less because an active effort is being made at secrecy and more because the characters aren't quite smart enough to just talk about their problems in normal-person terms. In a more high stakes story this attitude would be frustrating- but in "The Eccentric Daughter-in-Law" it really adds to the relatability of the characters.
Review by William Schwartz
"The Eccentric Daughter-in-Law" is directed by Lee Deok-geon & Park Man-yeong, written by Moon Seon-hee & Yoo Nam-kyeong and features Kim Dasom, Go Doo-shim, Ryu Soo-young, Kwak Hee-sung, Kim Yoon-seo, Kim Sung-hwan and more.
Staff writer. Has been writing articles for HanCinema since 2012, having lived in South Korea since 2011. Started out in Gyeongju, then to Daegu, then to Ansan, then to Yeongju, then to Seoul, lived on the road for HanCinema's travel diaries series in the summer of 2016, and is currently settled in Anyang. Has good tips for utilizing South Korea's public bus system. William Schwartz can be contacted via firstname.lastname@example.org.
"[HanCinema's Drama Review] "The Eccentric Daughter-in-Law" Episode 3"
by HanCinema is licensed under a Creative Commons Attribution-Share Alike 3.0 Unported License.
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